Feldmans Model Art Criticism Starry Night Over the Rhone

Starry Dark Analysis

• Date of Creation:
• 1889
• Height (cm):
• 73.70
• Length (cm):
• 92.10
• Medium:
• Oil
• Back up:
• Canvass
• Subject:
• Landscapes
• Characteristics:
• Mail-impressionism
• Framed:
• Yes
• Fine art Motion:

• Post-Impressionism

• Created by:
• Current Location:

• New York, New York

• Possessor:

• Museum of Modern Fine art

• Starry Nighttime Analysis Folio's Content
• Composition
• Use of colour
• Utilise of Light
• Mood, Tone and Emotion
• Brushstroke

• 

  Starry Night

The night sky depicted past van Gogh in the Starry Night painting is brimming with whirling clouds, shining stars, and a brilliant crescent moon. The setting is 1 that viewers tin can relate to and van Gogh´s swirling heaven directs the viewer´southward eye around the painting, with spacing between the stars and the curving contours creating a dot-to-dot outcome. These internal elements ensure fluidity and such contours were of import for the creative person even though they were becoming less meaning for other Impressionists. Thus Starry Night´s composition was distinct from the Impressionist technique of the 19th century.

The creative person was aware that his Starry Night composition was somewhat surreal and stylized and in a letter to his brother he even referred to "exaggerations in terms of composition. " The vivid fashion chosen by van Gogh was unusual - he chose lines to portray tonight scene when silhouettes would accept been a more obvious choice.

In Starry Dark contoured forms are a means of expression and they are used to convey emotion. Many feel that van Gogh´south turbulent quest to overcome his illness is reflected in the dimness of the dark sky. The village is painted with night colors but the brightly lit windows create a sense of condolement. The village is peaceful in comparison to the dramatic night heaven and the silence of the dark can about be felt in Starry Night. The steeple dominates the hamlet and symbolizes unity in the boondocks. In terms of composition, the church steeple gives an impression of size and isolation.

In the left foreground is a curvy cypress tree which is typically associated with mourning. It is painted in the same way every bit the sky with fluid lines which enhances the flow of the Starry Nighttime painting well as its easiness on the heart.

• 

  Starry Night

  Vincent van Gogh

Van Gogh´s choice of color in Starry Night has been much debated, particularly the dominance of yellow in this and other late works. Some believe van Gogh may accept been suffering from pb poisoning or a blazon of brain affliction and that this explains his foreign use of color in later paintings.

Van Gogh's apply of white and xanthous creates a spiral event and draws attention to the sky. Vertical lines such as the cypress tree and church building tower softly break upward the composition without retracting from the powerful night sky depicted in Starry Dark.

Vincent van Gogh´due south pick of dark blues and greens were complemented with touches of mint green showing the reflection of the moon. The buildings in the eye of the painting are modest blocks of yellows, oranges, and greens with a nuance of red to the left of the church building. The authorisation of blue in Starry Night is balanced by the orange of the night sky elements.

Van Gogh paints the rich colors of the night and this corresponds with the truthful character of this Starry Night, whereby colors are used to suggest emotion.

• 

  Starry Night

  Vincent van Gogh

Van Gogh´s passion for nighttime is evident in the Starry Night painting, where the powerful sky sits above the quiet town. It seems that van Gogh is contrasting life and decease with luminous stars and a gloomy, peaceful village. The main low-cal sources are the bright stars and crescent moon.

• 

  Starry Night

  Vincent van Gogh

There are various interpretations of Starry Night and one is that this canvas depicts promise. It seems that van Gogh was showing that even with a night night such as this it is still possible to come across light in the windows of the houses. Furthermore, with shining stars filling the sky, at that place is always light to guide you lot. It seems that van Gogh was finally being cured of his affliction and had essentially institute his sky. He also knew that in decease he would be at peace and further portrays this by using bold colors in the Starry Night painting.

In a letter to his blood brother, Theo, van Gogh comments: "I should not exist surprised if you liked the Starry Night and the Ploughed Fields, in that location is a greater quiet about them than in the other canvases. " Later in the letter he makes reference to Leo Tolstoys book My Faith and its lack of belief in resurrection. Such fleeting mentions of religion echoed van Goghs feelings towards the bailiwick at this time; he could neither forget information technology nor totally take information technology. Despite this, his use of the word 'serenity' and reference to Tolstoys volume indicates that the dark sky made him feel calm and brought to mind eternity.

Starry Night shows the vast power of nature and the church spire and cypress tree - representing man and nature - both point to the heavens.

• 

  Starry Nighttime

  Vincent van Gogh

In Starry Nighttime van Gogh´due south unique, thick castor strokes are very much obvious and information technology´s possible that his severe attacks further dramatized his castor work. However, in that location is a consistency to his technique that adds even more depth as well as a rich texture to this piece of work of art.

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Source: https://www.artble.com/artists/vincent_van_gogh/paintings/starry_night/more_information/analysis

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